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Exhibitions
Publications & Presentations
2023
︎ Tyler Mitchell: Domestic Imaginaries
Savannah College of Art and Design Museum of Art (SCAD MOA)
August 22, 2023 - December 31, 2023
Assistant Curator
︎ Likewise Artists Portraying Artists
Savannah College of Art and Design Museum of Art (SCAD MOA)
July 14, 2023 - December 18, 2023
Curator
︎TERRITORIAL: The Land and Us
Stove Works, Chattanooga, TN
February 10, 2023 - April 15, 2023
Curator-in-Residence
2022
︎Appariciones/Apparitions by Carolina Caycedo
DeCordova Sculpture Park and Museum
October 7, 2022 - March 23, 2023
Curator
︎Melvin Edwards: Brighter Days
DeCordova Sculpture Park and Museum
June 1, 2022 - May 8, 2023
Lincoln, MA
Curatorial Lead
(Originally curated by Daniel S. Palmer at Public Art Fund in New York, NY in 2021)
︎Subversive Media: Materiality and Power
Second Street Gallery, Charlottesville, VA
June 3, 2022 - July 22, 2022
Curator
︎PLATFORM: Rosemary Laing, Prowse DeCordova Sculpture Park and Museum
May 15, 2022 - June 1, 2023
Lincoln, MA
Curator
︎In Spite of Modernism: Contemporary Art, Abstract Legacies, and Identity
Arlington Art Center, Arlington, VA
January 29, 2022 - March 19, 2022
Curator
2021
︎InLight 2021
Great Shiplock Park, Chapel Island, and along the Virginia Capital Trail and Low Line
(Curated by Tiffany Barber, Wesley Taylor and Park Myers and
Produced by 1708 Gallery)
November 2021
Collaborator and contributing writer for Deep Inside I’m Blue by Adama Delphine Fawundu
︎The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse (Curated by Valerie Cassel Oliver)
Virginia Museum of Fine Arts, Richmond, VA
May 22, 2021 - September 6, 2021
Exhibitions Research Assistant
2020
︎American Land, American People
(Curated by Johanna Minich, Chris Oliver, and Leo Mazow)
Virginia Museum of Fine Arts, Richmond, VA
June 1, 2020 - Present (on view)
Samuel H. Kress Interpretive Fellow and Curatorial Assistant
︎On the Uses of History
Dorsky Gallery: Curatorial Programs, New York, NY
May 3, 2020 - July 13, 2020 (Cancelled due to COVID)
Curator
2019
︎Home Base: Laura Boban Solo Exhibition
The Anderson Gallery, VCU, Richmond, VA
August 2019
Curator
Awaken: A Tibetan Buddhist Journey Toward Enlightenment
(Curated by John Henry Rice)
Virginia Museum of Fine Arts, Richmond, VA
Curatorial Intern
︎(De)Coding Representation
Online exhibition on SketchUp/SketchFab
Curator
︎ Tyler Mitchell: Domestic Imaginaries
Savannah College of Art and Design Museum of Art (SCAD MOA)
August 22, 2023 - December 31, 2023
Assistant Curator
︎ Likewise Artists Portraying Artists
Savannah College of Art and Design Museum of Art (SCAD MOA)
July 14, 2023 - December 18, 2023
Curator
︎TERRITORIAL: The Land and Us
Stove Works, Chattanooga, TN
February 10, 2023 - April 15, 2023
Curator-in-Residence
2022
︎Appariciones/Apparitions by Carolina Caycedo
DeCordova Sculpture Park and Museum
October 7, 2022 - March 23, 2023
Curator
︎Melvin Edwards: Brighter Days
DeCordova Sculpture Park and Museum
June 1, 2022 - May 8, 2023
Lincoln, MA
Curatorial Lead
(Originally curated by Daniel S. Palmer at Public Art Fund in New York, NY in 2021)
︎Subversive Media: Materiality and Power
Second Street Gallery, Charlottesville, VA
June 3, 2022 - July 22, 2022
Curator
︎PLATFORM: Rosemary Laing, Prowse DeCordova Sculpture Park and Museum
May 15, 2022 - June 1, 2023
Lincoln, MA
Curator
︎In Spite of Modernism: Contemporary Art, Abstract Legacies, and Identity
Arlington Art Center, Arlington, VA
January 29, 2022 - March 19, 2022
Curator
2021
︎InLight 2021
Great Shiplock Park, Chapel Island, and along the Virginia Capital Trail and Low Line
(Curated by Tiffany Barber, Wesley Taylor and Park Myers and
Produced by 1708 Gallery)
November 2021
Collaborator and contributing writer for Deep Inside I’m Blue by Adama Delphine Fawundu
︎The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse (Curated by Valerie Cassel Oliver)
Virginia Museum of Fine Arts, Richmond, VA
May 22, 2021 - September 6, 2021
Exhibitions Research Assistant
2020
︎American Land, American People
(Curated by Johanna Minich, Chris Oliver, and Leo Mazow)
Virginia Museum of Fine Arts, Richmond, VA
June 1, 2020 - Present (on view)
Samuel H. Kress Interpretive Fellow and Curatorial Assistant
︎On the Uses of History
Dorsky Gallery: Curatorial Programs, New York, NY
May 3, 2020 - July 13, 2020 (Cancelled due to COVID)
Curator
2019
︎Home Base: Laura Boban Solo Exhibition
The Anderson Gallery, VCU, Richmond, VA
August 2019
Curator
Awaken: A Tibetan Buddhist Journey Toward Enlightenment
(Curated by John Henry Rice)
Virginia Museum of Fine Arts, Richmond, VA
Curatorial Intern
︎(De)Coding Representation
Online exhibition on SketchUp/SketchFab
Curator
2023
“Consider the complexities of artist portraiture in Likewise: Artists Portraying Artists,” Panel moderator, SCAD MOA. 8/17/23
2022
︎ “PLATFORM: Rosemary Laing, Prowse,” DeCordova Sculpture Park and Museum.
︎“Fungal Threads: Minga Opazo’s Biodegradable Textile and Mushroom Sculptures,” Boston Art Review, 25/05/2022. PDF Version.
2021
︎“Alma Thomas: Everything is Beautiful at The Chrysler Museum of Art,” Burnaway Magazine, 20/08/2021. PDF version.
︎“Collage and (In)Visible Histories: Kandis Williams at ICA at VCU,” Burnaway Magazine, 01/04/2021. PDF version.
︎“Interview with Luis Vasquez La Roche,” NUMBER: Inc., 29/03/2021.
2018
“Americans: A Curatorial Confrontation to American Cultural Legacy,” Presented at the International Council of Museums’ ICFA/ICEE Conference, “Cultural Heritage: Transition and Transformation,” Barcelona and Madrid, Spain
“Using the Past for Now: An Analysis of Richmond’s Confederate Monuments,” Presented at University of Oregon Art History Graduate Symposium, “Contested Memories,” Eugene, OR
2017
“Subversive Curation: New Developments in Institutional Critique,” Graduate Master’s Thesis
︎“Whose R-Evolution: Female Nude Sculpture on the National Mall Would Send Wrong Message,” Burnaway Magazine.
2016
“The Artistic Artifice of the Impressionist Gaze: Impressionism, the Gaze, and the Modern Social Structure,” The Vanderbilt Historical Review
“Consider the complexities of artist portraiture in Likewise: Artists Portraying Artists,” Panel moderator, SCAD MOA. 8/17/23
2022
︎ “PLATFORM: Rosemary Laing, Prowse,” DeCordova Sculpture Park and Museum.
︎“Fungal Threads: Minga Opazo’s Biodegradable Textile and Mushroom Sculptures,” Boston Art Review, 25/05/2022. PDF Version.
2021
︎“Alma Thomas: Everything is Beautiful at The Chrysler Museum of Art,” Burnaway Magazine, 20/08/2021. PDF version.
︎“Collage and (In)Visible Histories: Kandis Williams at ICA at VCU,” Burnaway Magazine, 01/04/2021. PDF version.
︎“Interview with Luis Vasquez La Roche,” NUMBER: Inc., 29/03/2021.
2018
“Americans: A Curatorial Confrontation to American Cultural Legacy,” Presented at the International Council of Museums’ ICFA/ICEE Conference, “Cultural Heritage: Transition and Transformation,” Barcelona and Madrid, Spain
“Using the Past for Now: An Analysis of Richmond’s Confederate Monuments,” Presented at University of Oregon Art History Graduate Symposium, “Contested Memories,” Eugene, OR
2017
“Subversive Curation: New Developments in Institutional Critique,” Graduate Master’s Thesis
︎“Whose R-Evolution: Female Nude Sculpture on the National Mall Would Send Wrong Message,” Burnaway Magazine.
2016
“The Artistic Artifice of the Impressionist Gaze: Impressionism, the Gaze, and the Modern Social Structure,” The Vanderbilt Historical Review