At SCAD MOA, she has curated numerous solo and group exhibitions, including Raul De Lara: Raíces/Roots (2025), Iván Argote: The Burden of the Invisible (2024), and Tyler Mitchell: Domestic Imaginaries (2023). Previously, she was the Curatorial Fellow at deCordova Sculpture Park and Museum, where she organized exhibitions such as Rachel Hayes: Transcending Space (2023), Carolina Caycedo: Apparitions/Appariciones (2022), Melvin Edwards: Brighter Days (2022), and an outdoor installation of Rosemary Laing’s Prowse (2022). As a Curatorial Research Assistant at the Virginia Museum of Fine Arts, she contributed to The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse (2021), curated by Valerie Cassel Oliver, and assisted with permanent collection research and gallery rotations.
She earned an MA in Art History from Virginia Commonwealth University, after which she was awarded the Samuel H. Kress Interpretive Fellowship (2019–2020) to collaborate on American Land, American People at VMFA. She has held internships at the Smithsonian American Art Museum and the Hirshhorn Museum.
Her independent curatorial projects have garnered significant recognition, including awards from the National Endowment for the Arts (2023) and Andy Warhol Foundation (2022). Her writing has appeared in BURNAWAY, The Boston Art Review, IMPACT Magazine, and other publications. In 2021, she received an Honorable Mention for the Toni Beauchamp Prize in Critical Art Writing for Gulf Coast: A Journal of Literature and Fine Arts. She has presented research at the University of Oregon’s Contested Memories symposium and the International Council of Museums (ICOM) conference in Barcelona.
She lives and works in Savannah, GA.