Wind from the Hills

Exhibition Information:
October 15, 2022 - February 26, 2023

Fruitlands Museum
Harvard, MA

Organized by Chief Curator Sarah Montross and Haley Clouser

Installation view, Wind from the Hills, on view at Fruitlands Museum through February 26, 2023. Image:© Mel Taing

Clara Endicott Sears (1863–1960), founder of the Fruitlands Museum, was a philanthropist, preservationist, art connoisseur, and author. As Sears developed the museum’s collection during the first half of the twentieth century, she also pursued a writing career, publishing books on art, history, as well as fictional and inspirational literature.

Drawn from Fruitland’s permanent collection, the artworks in this exhibition are inspired by select poems from Sears’ 1935 anthology Wind from the Hills and Other Poems. The galleries feature nineteenth century landscape paintings, folk art, Shaker textiles, and Indigenous artworks, revealing the complexities of Sears’ artistic interests while reviving her words through highlights of the collection.

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New Formations

Exhibition Information:
October 7, 2022 - March 12, 2023

deCordova Sculpture Park and Museum
Lincoln, MA

Organized by Chief Curator Sarah Montross and Haley Clouser


Installation view of New Formations (October 7, 2022 – March 12, 2023) at deCordova Sculpture Park and Museum, Lincoln, MA. © Mel Taing, 2022.

Through contemporary photography, video, and painting, this exhibition features human bodies in powerful athletic performance, ecstatic expressions of dance and collective procession. These artworks suggest our need for rituals, ways of gathering, and performing for ourselves and one another. With actions drawn from dance, sportsmanship, and pageantry, New Formations explores modes of kinship, alliance, and competition. Artworks on view convey disparities across race, age, and gender that shape how our bodies move through the world and are seen by others.

Featuring works by artists including Pelle Cass, Jaclyn Conley, Jeremy Deller, Alicia Framis, Dara Friedman, George Georgiou, Steffani Jemison, Tyler Mitchell, Senga Nengundi, Thenjiwe Niki Nkosi and Heather Rasmussen

Works by these contemporary artists are shown alongside selections from a recent gift of vernacular photographs from the collection of Peter Cohen. These anonymous, amateur photographs highlight our collective attraction to capture ourselves joining parades, in dance formations, or staging “human pyramids” on the beach. Shown together with the contemporary artists, New Formations captures the need and broad appeal of relating our bodies to sculptural form.

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Melvin Edwards: Brighter Days

Exhibition Information:
June 1, 2022 - May 8, 2023

deCordova Sculpture Park and Museum
Lincoln, MA

Originally curated by Public Art Fund Adjunct Curator Daniel S. Palmer
Coordinated by Haley Clouser

On view from June 2022 to May 2023, Melvin Edwards: Brighter Days showcases six monumental, abstract sculptures by the acclaimed contemporary African American artist Melvin Edwards (b. 1937). This traveling exhibition, first organized by the New York City based nonprofit Public Art Fund for City Hall Park in 2021 constitutes Edwards’ first thematic survey of outdoor sculptures and deCordova’s first outdoor solo exhibition in many years. Brighter Days, a title chosen by the artist, brings forth conversations on Black history and identity, and evokes Edwards’ optimistic view of our shared future.

Brighter Days offers a focused look at Edwards’ accomplishments in large-scale sculpture and public art through five sculptures from 1970 to 1996, and a sixth commissioned in 2020 for Brighter Days. These six works elaborate on his examination of race, labor, and the African Diaspora, and feature his signature use of abstract, representational icons like chains. To the artist, the chain possesses numerous meanings, ranging from its function as a “welded rope” for pulling, its use for bondage and constraints, and its more metaphorical association to linkage and connectivity. By fragmenting and breaking the links, Edwards creates nuanced interpretations of the chain, including its allusions to slavery and violence, as well as liberation and connection. All at once, Brighter Days encourages mindfulness of the past, while inspiring resiliency, overcoming, and connection.


About the Artist:
A pioneer of abstract sculpture, Houston-born Melvin Edwards began his career in the 1960s after studying at the University of Southern California. Edwards gained notoriety from his first solo exhibition at the Santa Barbara Museum of Art in 1965, where he uniquely blurred abstraction and symbolism to comment on social justice issues – an approach distinct from his Minimalist and Post-Modernist contemporaries. At this time, he initiated his renowned, ongoing body of work Lynch Fragments, a sculpture series investigating themes of racial violence, anti-war protest, and Edwards’ connections to Africa. Shortly thereafter, he exhibited at the Studio Museum of Harlem in 1969, and by 1970, became the first African American sculptor with a solo exhibition at the Whitney Museum of American Art. Edwards has produced over 20 public works throughout his career for universities, public housing projects, and museums. Now living and working across multiple studios in two states and Senegal, Melvin Edwards continues to be a leading voice in sculpture, exhibiting nationally and internationally.

Melvin Edwards: Brighter Days was originally presented by Public Art Fund in New York City at City Hall Park, from May 4, 2021 – November 28, 2021.

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